John Says:
The Social Network has become a very anticipated film for one reason or another, and early reviews from critics have been absolute raves. Clearly I would not pass on the opportunity to see an advanced screening (and Q&A session with screenwriter Aaron Sorkin and stars Jesse Eisenberg and Armie Hammer!).
My first viewing of the film in the front row of my theater was fascinating, albeit slightly underwhelming. I found the dialogue witty, beautiful photography, but on the whole I thought the concept of a Facebook movie was a bit short-sighted. My second viewing, seen on a smaller screen with no distractions (let's ignore the legalities for a moment) was awe-inspiring. The third - flawless. Here is a great movie with layer upon layer of depth and story. How I didn't recognize the genius during the first viewing remains a mystery, but now I am fully convinced this is one of the strongest films of the year.
The film follows a handful of testimonies and accounts of the various college students responsible for (and allegedly robbed of) the idea of Facebook. The story flows by incredibly quickly in a non-linear fashion as the story descends deeper and deeper into betrayal and greed. Jesse Eisenberg (who strikes me as the poor man's Michael Cera) is utterly shallow and completely riveting in his role. Likewise with Andrew Garfield (our future Spider-man) who gives possibly the strongest (and most sympathetic) performance in the film. Armie Hammer serves a dual role as the Winklevoss twins (through flawless CGI), those who claim to be the victim of intellectual property theft: Facebook. Were they robbed? Or was Zuckerberg's idea truly an original one? It's difficult to tell, especially as the story is told from such a multi-faceted angle. Justin Timberlake wraps up the leading cast with a surprisingly dramatic and believable role.
In terms of the film's story, was surprised at how timeless some of the central themes of betrayal, friendship, and personal gain were. I fully respect the screenwriter, who could have made a cliche, boring, forgettable movie - but managed to make a layered, resonant, albeit fictionalized account of this website and the people who were behind it.
I also give praise to the cinematography and original score. Both are very unconventional for the story at hand, but help so much in creating a unique tone throughout the movie. David Fincher is undoubtedly known for the technicality behind his films, and this one is no exception.
I highly, HIGHLY recommend this film! It's surprisingly deep and is completely fascinating. The story points towards a deeper understanding of today's culture - that as we seemingly get closer and closer to people via the internet, we really are isolating ourselves more and more... Yes, it took me 3 viewings to more fully grasp the genius at work behind this film, and I cannot wait to see it again. One of the year's strongest films by far.
Maureen says:
Going in to see The Social Network, I had low expectations. A movie about Facebook, of all things?! But soon after the film began, I realized this was not a film about Facebook, but a rags-to-riches story of conflict, friendship, success, failure, betrayal, and strength of character. David Fincher, as usual, is hitting on all cylinders, and as such, creates a film that will be a strong contender in the upcoming awards season.
To start, the acting: spot on, to say the least. Jesse Eisenberg has a break-out role as Mark Zuckerberg, the founder of Facebook. He makes you simultaneously hate Zuckerberg while cheering for him the whole way through. Strong supporting roles by Justin Timberlake, Armie Hammer, and the up-and-coming (and VERY easy-on-the-eyes) Andrew Garfield. The character development is riveting (credit to screenwriter Aaron Sorkin) and truly makes the film what it is.
In addition to the screenplay and the acting, the film is well-made, with excellent cinematography, unique (but perfect!) scoring, and beautiful sets. I'm not sure if Harvard actually looks they way it's portrayed, but they show it exactly the way 95% of America imagines it looks.
Overall, this is a difficult movie to NOT enjoy. There is drama, comedy, and the perfect amount of intrigue... a unique, compelling, and smart coming-of-age story. Consequently, in thinking about its rating, it is also difficult NOT to give it a perfect score, as it is nearly perfect in every regard. If you haven't seen it, do yourself a favor - get off of Facebook - and go.
(Awards potential: Best Picture, Best Director, Best Actor (Eisenberg), Best Adapted Screenplay, Best Editing, Best Original Score, Best Cinematography, Best Supporting Actor (Garfield), Best Sound Mixing, Best Sound Editing)
OUR RATING SYSTEM
(*****) = do NOT miss! This one is as good as they come.
(****) = Fantastic - It's worth the price of the ticket (and then some).
(***) = Average - Nothing really bad, nothing really spectacular...
(**) = Perhaps you should find another movie to see.
(*) = The bottom of the barrel. It would be hard to find something less entertaining or more unworthy of your time.
(*****) = do NOT miss! This one is as good as they come.
(****) = Fantastic - It's worth the price of the ticket (and then some).
(***) = Average - Nothing really bad, nothing really spectacular...
(**) = Perhaps you should find another movie to see.
(*) = The bottom of the barrel. It would be hard to find something less entertaining or more unworthy of your time.
John (Jo) holds a Bachelor's Degree in Nursing, as well as a Bachelor of Arts degree in Film Studies. He currently lives in Chicago, Illinois and works as a nurse. His one true obsession in life is movies... The good, the bad, and everything in between. Other than that, he is busy caring for his cat, painting, writing, exploring Chicago, and debating on whether or not to worship Tilda Swinton as a deity. John is the master and commander and primary author of this blog.
Thursday, September 16, 2010
Wednesday, September 1, 2010
4 Months Left! Movies To Keep In Your Radar...
Can you believe it? The year is already two-thirds of the way done! So far, we haven't seen too many 'Oscar-caliber' movies - but hopefully the upcoming fall/ winter season will finally give 2010 a solid lineup of great films! Here are some movies I think we should keep our eyes on:
THE KING'S SPEECH
What seems to be the current front-runner for the majority of Oscar nominations this year. Colin Firth seems poised for his second consecutive nomination and ideally his first win after his flawless performance last year in 'A Single Man.' The cast looks stellar and the story is both unique and historical. So far critics and audiences have been absolutely raving about the early screenings. Keep your eyes open for this - it's going to be one to watch.
BLACK SWAN
Darren Aronofsky's lack of ANY Oscar nominations for films like Requiem For A Dream and The Wrestler is almost unbelievable. This film looks like it could be a strong contender in multiple categories - possibly previous Oscar-nominee Natalie Portman? The film looks like it has a strong visual style, but will the dark, seemingly fantasy-like premise go over well with Oscar voters? We will have to see...
127 HOURS
Danny Boyle's return to movies after his mammoth achievement with Slumdog Millionaire. Like his previous films, 127 Hours looks like it will be both a visual wonder with a fast-paced plot. It has a lot going for it - true story, Oscar-winning director, James Franco... This movie could be one to beat.
CONVICTION
I honestly don't know what to think of this movie. The cast is amazing - Hilary Swank, Sam Rockwell, Melissa Leo, Mini Driver... The story - allegedly a true one - seems to be both gripping and inspirational. I could see this being either a dud or a complete winner. Interestingly, Annette Bening seems to be a front-runner for Best Actress this year, yet both of her past 2 nominations in the category were lost to Hilary Swank. Could these 2 possibly come head to head yet again? This is an interesting one to watch.
THE SOCIAL NETWORK
Yes, a movie about Facebook doesn't seem like it has much to offer, but early reviews have been complete raves. David Fincher directs, fresh off his Oscar-nomination for Benjamin Button. The cast leaves much to be desired (Justin Timberlake and Jesse Eisenberg don't exactly make the most prestigious movies), but it still has lots of potential, so for now lets just wait.
TRUE GRIT
The trailer is finally out and can we just say... this may or may not be a VERY strong contender this season. The film is made by the Coen brothers and stars Oscar-winner Jeff Bridges in the same leading role that won John Wayne an Oscar in 1969. Could Bridges become only the third actor to win back-to-back Oscars? The Coens' last western was a little film called No Country For Old Men. We think it's safe to say they understand how the genre works. With the Coens, you come to expect quality, and we can't imagine a situation where this will not be the case.
THE FIGHTER
A boxing movie starring Mark Wahlberg. History shows that boxing movies tend to do well, both critically and in terms of accolades (Million Dollar Baby, Raging Bull...) Could this movie follow in those footsteps?
THE TEMPEST
This movie may not end up being the right type of movie, but it has all the right ingredients. The cast includes Helen Mirren, David Strathairn, Djimon Hounsou, Alfred Molina, and Chris Cooper. The source material is the Shakespeare play.
THE KING'S SPEECH
What seems to be the current front-runner for the majority of Oscar nominations this year. Colin Firth seems poised for his second consecutive nomination and ideally his first win after his flawless performance last year in 'A Single Man.' The cast looks stellar and the story is both unique and historical. So far critics and audiences have been absolutely raving about the early screenings. Keep your eyes open for this - it's going to be one to watch.
BLACK SWAN
Darren Aronofsky's lack of ANY Oscar nominations for films like Requiem For A Dream and The Wrestler is almost unbelievable. This film looks like it could be a strong contender in multiple categories - possibly previous Oscar-nominee Natalie Portman? The film looks like it has a strong visual style, but will the dark, seemingly fantasy-like premise go over well with Oscar voters? We will have to see...
127 HOURS
Danny Boyle's return to movies after his mammoth achievement with Slumdog Millionaire. Like his previous films, 127 Hours looks like it will be both a visual wonder with a fast-paced plot. It has a lot going for it - true story, Oscar-winning director, James Franco... This movie could be one to beat.
CONVICTION
I honestly don't know what to think of this movie. The cast is amazing - Hilary Swank, Sam Rockwell, Melissa Leo, Mini Driver... The story - allegedly a true one - seems to be both gripping and inspirational. I could see this being either a dud or a complete winner. Interestingly, Annette Bening seems to be a front-runner for Best Actress this year, yet both of her past 2 nominations in the category were lost to Hilary Swank. Could these 2 possibly come head to head yet again? This is an interesting one to watch.
THE SOCIAL NETWORK
Yes, a movie about Facebook doesn't seem like it has much to offer, but early reviews have been complete raves. David Fincher directs, fresh off his Oscar-nomination for Benjamin Button. The cast leaves much to be desired (Justin Timberlake and Jesse Eisenberg don't exactly make the most prestigious movies), but it still has lots of potential, so for now lets just wait.
TRUE GRIT
The trailer is finally out and can we just say... this may or may not be a VERY strong contender this season. The film is made by the Coen brothers and stars Oscar-winner Jeff Bridges in the same leading role that won John Wayne an Oscar in 1969. Could Bridges become only the third actor to win back-to-back Oscars? The Coens' last western was a little film called No Country For Old Men. We think it's safe to say they understand how the genre works. With the Coens, you come to expect quality, and we can't imagine a situation where this will not be the case.
THE FIGHTER
A boxing movie starring Mark Wahlberg. History shows that boxing movies tend to do well, both critically and in terms of accolades (Million Dollar Baby, Raging Bull...) Could this movie follow in those footsteps?
THE TEMPEST
This movie may not end up being the right type of movie, but it has all the right ingredients. The cast includes Helen Mirren, David Strathairn, Djimon Hounsou, Alfred Molina, and Chris Cooper. The source material is the Shakespeare play.
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