John says:
Finally we near the end of the entire story - we've seen these characters develop from adorable, innocent kids through to the darkest, most mature moments. Overall I would like to say this first part of the last chapter was a success, but on the whole I can't help but voice concerns that overall, the film is much too dependent on its upcoming finale to function as a film of its own.
David Yates, the director of films 5 through to the end, is an amazing visual storyteller, and part 7 may very well be the most stunning - possibly out of all the Potter films. The technical wizardry behind the camera is astounding - with notable praise going to cinematography and visual effects - many of which were practically seamless, almost invisible. Similar praise can go to the score. Alexandre Desplat, one of the best composers working today, is the best thing to happen to the series since John Williams left. His music is moody, layered, effective, and totally in-tuned to the world of Harry Potter.
Each of the films seems to have a stand-out star, and this film is dominated by Emma Watson as Hermione. In previous films, her performances have been satisfactory to say the least, but finally we see her mature into a real actress, and there is never a moment you don't trust everything she is saying or believe every emotion she is portraying. Daniel Radcliffe and Rupert Grint likewise have become fine actors - not to mention the rest of the all-star cast.
On the whole it was a very faithful adaption of the book - maybe the closest to the source material any Potter film has yet come, yet certain omissions were surprisingly missed. Yes, they split the book into 2 parts in order to fit as much in as possible, but - for instance, they still managed to almost completely cut the Dursley's out of the picture. Could they really not afford to spend maybe 2 minutes wrapping their minute story up? What was that mysterious mirror Harry is constantly looking at? Are we supposed to believe Harry is really in love with Ginny when she is seen for one second and his focus is more on Hermione? (at least in the film) Clearly I know the answers, but like other Potter films, I am concerned with how much the average audience will understand and interpret from the plot based on the film alone.
By the end of the film, though, I couldn't help but feel a bit unsatisfied. Yes, the ending is a 'cliff-hanger' to those who haven't read the books, but ultimately, the episodic nature of the first half of the book doesn't easily lend itself to a complete story, let alone a fulfilling plot for a feature movie. I have a feeling that Part 2 will tie up many loose ends and have more of a grandiose feel, but until then, I can't help but think that Part 1 had so much going for it, yet mysteriously managed to avoid greatness.
Maureen says:
The long-awaited final installments of the Harry Potter series have arrived. For better or for worse, the decision was made to present the final installment of the series in two parts. After seeing this film, though well-made and exciting to watch, I can't help feeling as though this is a weak preview part 2 - the REAL finale.
David Yates once again does an outstanding job with the making of this film - arguably, his finest Harry Potter work to date. The visuals were stunning and had me on the edge of my seat the entire movie. The 2 1/2 hours flew by. It was engaging, exciting, and spectacular to watch, with almost undetectable effects. Acting was also particularly outstanding, most notably from Emma Watson (Hermione) and Helena Bonham Carter (Bellatrix LeStrange), who as usual stole the screen whenever present. The score, as well, was mysterious, exciting, unique, and complemented the outstanding cinematography perfectly. There was enough humor to keep the script entertaining but also enough serious moments to keep it interesting. A large part of the book itself involves silent traveling, which could have made for a boring film, but Yates and the actors managed to make the silent moments emotional and intriguing.
Although the cinematography and editing were excellent and the film was generally very faithful to the book, certain artistic liberties were questionable at best. For example: not to give anything away, there was a provocative fantasy sequence that - it is safe to say - does not fit in with J.K. Rowling's intentions for the book. This tainted the entire scene and even, to a certain extent, the rest of the movie. I also must agree with some other critics in saying that the film seemed rather "jumbled" at times, which was not helped by the presence of shaky, Bourne Identity-style camera work. Had I not read the book, I likely would have been confused by the editing and plot twists. And although I went into the film expecting the ending to be anti-climactic, I was still left feeling like something was missing.
This film is certainly not the best Potter film nor my favorite, and in fact, finds itself toward the bottom of my Potter list... but it was absolutely 2.5 well-spent hours and does well in its ultimate job of raising plenty of anticipation for Part 2.
(Awards potential: Best Original Score, Best Visual Effects, Best Sound, Best Cinematography)
OUR RATING SYSTEM
(*****) = do NOT miss! This one is as good as they come.
(****) = Fantastic - It's worth the price of the ticket (and then some).
(***) = Average - Nothing really bad, nothing really spectacular...
(**) = Perhaps you should find another movie to see.
(*) = The bottom of the barrel. It would be hard to find something less entertaining or more unworthy of your time.
(*****) = do NOT miss! This one is as good as they come.
(****) = Fantastic - It's worth the price of the ticket (and then some).
(***) = Average - Nothing really bad, nothing really spectacular...
(**) = Perhaps you should find another movie to see.
(*) = The bottom of the barrel. It would be hard to find something less entertaining or more unworthy of your time.
John (Jo) holds a Bachelor's Degree in Nursing, as well as a Bachelor of Arts degree in Film Studies. He currently lives in Chicago, Illinois and works as a nurse. His one true obsession in life is movies... The good, the bad, and everything in between. Other than that, he is busy caring for his cat, painting, writing, exploring Chicago, and debating on whether or not to worship Tilda Swinton as a deity. John is the master and commander and primary author of this blog.
Friday, November 19, 2010
Tuesday, November 9, 2010
127 Hours (*****)
Slumdog Millionaire move over, Danny Boyle's latest work also may be his greatest. What began as a skeptical night of going to the movies transformed into an experience I don't think I will ever forget. The story of a man who gets his arm trapped behind a rock somehow manages to become a profound reflection on each and every person's life and the individual paths we all take.
The movie is in many ways similar to Boyle's previous film - Slumdog Millionaire - a colorful, fast-paced, dramatic yet inspiring story of life's worst situations transforming the characters into better people.
Of course, the story mainly focuses on Aron Ralston, an adventurous, albeit naive mountain climber who - of course - find himself in the worst situation: trapped in the middle of no where with no means of help. Any other director (I literally mean ANY other director) would have ruined the film and lost the true meaning of the story. Boyle makes it seem easy, oftentimes with unusual means - split screen, superimpositions, dreams, etc. It's highly stylized to say the least - but it works so well.
I could go on for hours praising each individual aspect - the score (our lovely AR Rahman), the cinematography, the editing, the sound design (!) but it all rides on James Franco's shoulders, and his is a towering performance. It's not necessarily a showy role, but he makes the most out of every little moment and pause - it's the silence that he manages that really holds our attention.
Although the running time is around an hour and a half, the intensity of each moment leaves you pinned - and time seems to stop. You might ask yourself, how could a movie set in a narrow canyon possibly hold our attention for 10 minutes, let alone over an hour? Well - it just does. In many ways it's a story about survival. Our tensions build as we see his water supply get lower and lower and the littlest changes in weather remind us how dangerous it is. At the same time it also manages to be a moving drama, a story about a man reflecting on his past relationships, love affairs, and family ties. If you were about to die, how would you feel about the life you had led thus far?
As far as I'm concerned, this is the best movie I've seen all year. No other movie in recent memory has had such a huge impact on me - physically and emotionally. All the pieces are here, and they all work brilliantly together. In fact, stupendous is probably the best word I can think to use to describe it.
(Awards potential: Best Picture, Best Director, Best Actor (Franco), Best Adapted Screenplay, Best Editing, Best Cinematography, Best Original Score, Best Sound Mixing, Best Sound Editing, Best Makeup)
The movie is in many ways similar to Boyle's previous film - Slumdog Millionaire - a colorful, fast-paced, dramatic yet inspiring story of life's worst situations transforming the characters into better people.
Of course, the story mainly focuses on Aron Ralston, an adventurous, albeit naive mountain climber who - of course - find himself in the worst situation: trapped in the middle of no where with no means of help. Any other director (I literally mean ANY other director) would have ruined the film and lost the true meaning of the story. Boyle makes it seem easy, oftentimes with unusual means - split screen, superimpositions, dreams, etc. It's highly stylized to say the least - but it works so well.
I could go on for hours praising each individual aspect - the score (our lovely AR Rahman), the cinematography, the editing, the sound design (!) but it all rides on James Franco's shoulders, and his is a towering performance. It's not necessarily a showy role, but he makes the most out of every little moment and pause - it's the silence that he manages that really holds our attention.
Although the running time is around an hour and a half, the intensity of each moment leaves you pinned - and time seems to stop. You might ask yourself, how could a movie set in a narrow canyon possibly hold our attention for 10 minutes, let alone over an hour? Well - it just does. In many ways it's a story about survival. Our tensions build as we see his water supply get lower and lower and the littlest changes in weather remind us how dangerous it is. At the same time it also manages to be a moving drama, a story about a man reflecting on his past relationships, love affairs, and family ties. If you were about to die, how would you feel about the life you had led thus far?
As far as I'm concerned, this is the best movie I've seen all year. No other movie in recent memory has had such a huge impact on me - physically and emotionally. All the pieces are here, and they all work brilliantly together. In fact, stupendous is probably the best word I can think to use to describe it.
(Awards potential: Best Picture, Best Director, Best Actor (Franco), Best Adapted Screenplay, Best Editing, Best Cinematography, Best Original Score, Best Sound Mixing, Best Sound Editing, Best Makeup)
Tuesday, November 2, 2010
Waiting For Superman (*****)
Waiting For Superman is as good of a documentary I have ever seen. The story focuses on the American public school system - its flaws, its champions, teachers, parents, students. Like any great piece of non-fiction film making, its powerful because it somehow manages to connect the audience with it's subjects, in this case, middle school students just hoping for a proper education.
I was surprised at two things when watching the film. First, how easily the information was presented. Walking in I was somewhat intimidated and possibly even put off by the subject matter. How interesting could learning about schools really be? In all honesty it was engrossing. Ideas are presented clearly and concisely with animation used to help drive in certain points. It was in that regard a very visual story. Second, the decision to focus the story on a handful of students was perfect in regards to the topic. As we learn about the flaws and problems children face in school, we are presented with actual children - kids and their parents trying their hardest to rise up and become successful by any means possible.
As fascinating as the documentary was to watch, ultimately its focus was on our country as a whole. We are raised to believe that America is 'the land of opportunity,' but after watching this I began having second thoughts. Not to spoil anything, but when a little girl who wants to grow up to become a doctor can't simply because her name wasn't pulled out of a hat, then something is wrong. How is it that years and years of political focus on reforming our educational system has had practically no effect at all?
I haven't seen any other documentary made this year yet, but I am almost positive this will remain the best I will see. Go see it immediately!
(Awards potential: Best Documentary, Best Original Song ('Shine'))
I was surprised at two things when watching the film. First, how easily the information was presented. Walking in I was somewhat intimidated and possibly even put off by the subject matter. How interesting could learning about schools really be? In all honesty it was engrossing. Ideas are presented clearly and concisely with animation used to help drive in certain points. It was in that regard a very visual story. Second, the decision to focus the story on a handful of students was perfect in regards to the topic. As we learn about the flaws and problems children face in school, we are presented with actual children - kids and their parents trying their hardest to rise up and become successful by any means possible.
As fascinating as the documentary was to watch, ultimately its focus was on our country as a whole. We are raised to believe that America is 'the land of opportunity,' but after watching this I began having second thoughts. Not to spoil anything, but when a little girl who wants to grow up to become a doctor can't simply because her name wasn't pulled out of a hat, then something is wrong. How is it that years and years of political focus on reforming our educational system has had practically no effect at all?
I haven't seen any other documentary made this year yet, but I am almost positive this will remain the best I will see. Go see it immediately!
(Awards potential: Best Documentary, Best Original Song ('Shine'))
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