OUR RATING SYSTEM
(*****) = do NOT miss! This one is as good as they come.
(****) = Fantastic - It's worth the price of the ticket (and then some).
(***) = Average - Nothing really bad, nothing really spectacular...
(**) = Perhaps you should find another movie to see.
(*) =
The bottom of the barrel. It would be hard to find something less entertaining or more unworthy of your time.



Maureen
(Mo) holds a PhD in marine geophysics (Dr. Maureen, to you) and works for the U.S. Geological Survey in Santa Cruz, CA. Maureen enjoys the outdoors (skiing, swimming, hiking, camping), dogs, cooking, singing, getting into (and out of) uncomfortable situations, and most importantly, watching quality movies. She makes a point of seeing as many Oscar-nominated films as possible each year and (correctly) predicting the winners. Her role on this blog is primarily as an advisor, collaborator, and "chime in"-er.

John (Jo) holds a Bachelor's Degree in Nursing, as well as a Bachelor of Arts degree in Film Studies. He currently lives in Chicago, Illinois and works as a nurse. His one true obsession in life is movies... The good, the bad, and everything in between. Other than that, he is busy caring for his cat, painting, writing, exploring Chicago, and debating on whether or not to worship Tilda Swinton as a deity. John is the master and commander and primary author of this blog.

Tuesday, November 27, 2012

Silver Linings Playbook (Jo****1/2)

What a remarkable filmgoing experience this was. A film that has received generally positive buzz so far this awards season is undoubtedly one of the most poignant and effective films of the year, a feel-good movie with brains as well as heart. 'Silver Linings Playbook,' a warped romantic comedy of sorts, may not seem like much in summary, but here is a film that stands alongside the best of Billy Wilder or Woody Allen or Cameron Crowe.

The film follows a bipolar man named Pat (played by an effective Bradley Cooper), who is recently released from a rehabilitation clinic by his mother in hopes of aiding his recovery. Pat, who is on a restraining order from his wife, caught her cheating in their home, an action which revealed the darker side of his mental instabilities. Still tormented by the idea of winning her back, Pat works to settle back into his childhood home.

He meets a quirky heroine, as is the case for most romances, in this case an equally disfunctional character named Tiffany (Jennifer Lawrence). Pat is helpless to the idea of meeting someone new, and in truly cinematic quality, they share perhaps the most uncomfortable introduction ever filmed. We see their friendship build, all while Pat's parents (Robert De Niro & Jacki Weaver) watch in concern, fearful of another relapse.

The film's success is entirely in the script, written by director David O. Russell, who you might remember hearing about for his Oscar-nominated work in 'The Fighter.' Here is a true triumph. The film contains dialogue so fresh and witty that each moment and new character interaction never feels written at all. Russell has a clear understanding of tone and how to maneuver his actors through the script, and his eye for a director is crystal clear.

And his actors, how they have delivered. Bradley Cooper is truly stepping into his own as a respected actor, and his work is occasionally brilliant. Robert De Niro, also, delivers some of his best work in years, and at least two of his scenes are truly eye-watering work.

Jennifer Lawrence, though, can absolutely take a bow for her truly immaculate performance. The balance between comedy and drama is a tricky maneuver, and Lawrence doesn't just balance on the edge, she dances across it. Already nominated for an Oscar for 'Winter's Bone' few years back, Jennifer Lawrence is proving to be a force to be reckoned with. I suspect a Best Actress nomination to come her way, and truly this could be a winning performance. She takes control of every scene with absolute fearlessness, even stepping up to the famous De Niro in one of the film's most hilarious scenes.

This is a truly visceral film, guided by a great director and an even stronger script. Any flaws to be found with this film can be brushed off, for truly this is one of the year's best films, and one audiences will absolutely fall in love with.

(Awards potential: Best Picture, Best Director, Best Actor (Cooper (long shot)), Best Actress (Lawrence), Best Supporting Actor (De Niro), Best Adapted Screenplay, Best Editing)

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